Photography (Photography)

La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago. The series, whose subjects were extremely subversive, as well as critically vulnerable to the repressive political regime, were finally shown in Chile shortly before the end of the dictatorship in 1990, and later compiled in a book of the same title with texts by Peruvian writer Claudia Donoso. This work portrays a scene at La Palmera brothel in Santiago.

Installation (Installation)

Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru. The members of this family (grandfather, father, and son) all bear the name of Juan and make replicas by hand using traditional methods nearly indistinguishable from the pieces made thousands of years ago. A forgery pretends to be something it is not, but the Gonzalez family’s textiles openly intend to recreate those discovered in the 1920s at a necropolis in Peru.